Search: Starring Shia LaBeouf

Full of passing vistas, moments of lyricism, raw sex and emotions – all building to a portrait of youths trying to bond together to survive.

Estevez uses Bobby’s words too much, but you can’t blame him, because Kennedy’s compassion and sympathy for the underprivileged shines.

Why make a movie about this match? Why now? Is it the danger factor with Superbrat or nostalgia for IceBorg or the ingenuity of the stunt guys to make the players look genuine?

Constantine is best enjoyed by ignoring the Milton-centric mythology and surrendering to the movie's lush atmosphere and wicked performances.

Looks terrific and moves with the fluidity and energy of a much classier picture.

Rarely has a film been so serious in its underlying implications and intent, and yet so moronic in its execution.

Ayer’s film doesn’t really have the script or plot to back up all the hardware.

What rescues A Guide To Recognizing Your Saints from bland conventionality is Montiel's bravura approach to direction.

This is a highly personal work that opens the door on some dark truths of Hollywood and fame, but it also doesn’t quite know what to do to elevate itself beyond a peep show into human misery.

What on earth Weaver thinks she's doing in such a tangled mess is difficult to understand.

As each of the Indiana Jones films has demonstrated, iconic talismans from the past can still conceal an awesome power.

Compelling stuff.

It is described simply as “A Fable”, but there is nothing simple about this over-ambitious allegorical sprawl.

It's a film that goes out of its way to provoke and disappoint, but to those who get its jokes and can cope with the rest, it's a delight.

Part of the problem is that the characters are either opaque or unpleasant – and all lack rounded definition.

The animation which has gone into these characters is magnificent, giving them lots of subtle facial expressions and body language.

High-octane nonsense for those who suffer from permanently arrested development.

It is bigger and longer than the original – but certainly no better, and this time round lacking even a novelty factor.

The comedy is not funny, the action is exhausting, and by the time its 156 minutes are over, you too will have been transformed into a dead-eyed machine that has lost the power or will to care.

There are loads of characters, tonnes of things going on, and little to no reason to invest.